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Saturday, March 23, 2013

Marrying Art With Perseverance


The Character Must Be Interesting…

The evolution of the character begins with an idea, even a silly situation, or a fleeting memory of a song and girl at a bus stop.  For the writer, the easy part is the inspiration, and then continues with hard work.  Maybe the character has form: eye color, lanky and tall, great singing voice and then it is up to the writer to marry art with perseverance.

One of the most common recurring failures of many short stories is the lack of well developed protagonists.  The truly great characters that make us want to read more don’t come out of the ether in one shake.  We need to fall in love with them.  One of the reasons we put stories down and don’t come back is the lack of interest in the characters.  The plot, story arc, all of the situations presented may be fascinating, amazing, unbelievable and cool; but none of it matters if the characters aren’t interesting, provocative, and a little amazing.

There is a writer friend of mine who has notebooks filled with character development.  Back story, pages and pages of back story.  Rarely are these words ever seen in the finished works, but nonetheless it fills the writer with a defined world of vision and the character development is filled with dimension.  What is written in those notebooks?  It’s filled with stories of first dates, job interviews, memories of vomiting in the neighbor’s bushes, scary near misses and perfect scores in skeet ball.  It is truly the tenacity of world building that creates a work that is special.  But it also simplifies the work for the author.  When I create a character and start writing the story without filling the void with facts about him or her, I find it more likely the story never gets finished.  The art of defining the world of the story often comes with defining the characters prior to the first word hitting the page.

The back story can be as detailed as birth, early school days, collegiate life, or maybe hitchhiking across Europe.  Pages of family history, especially the Mom and Dad, first loves, sexual and intimate stories all fill the void in a writer’s mind with details that will become vital for the story presently coming into fruition, and for creating striking, complex and obviously human characters and villains.

This is the perseverance.

I believe it is critical to consider the human being as analogue to the characters and their development.  Writers will tell you that a good character can exist as the culmination of several people that really exist in life.  The most important is to bring them to life- for you the author.  Once they are successfully incubated, they can truly take on the forms and tell the story – honestly and hopefully make readers fall in love with them.

Who are the characters that we love?  The ones that we like better than real people?  Celia Bowen, Frodo, Lolita, Luke Skywalker, Meursault, Prince Andrey Bolkonsky, and so many more…
What is it about them that we love?
Answering that question may be one of the reasons I continue to write and read.  Seeking the truth…

Wednesday, January 16, 2013

Are you alive if you have no desire?


What makes a great character?

In one word – desire.

The definition of desire: (noun) a strong feeling of wanting to have something or wishing for something to happen.  Strongly wish for or want (something).  Want (someone) sexually.

If everyone could answer what they truly desired, without judgment nor hesitation, they would be able to access something truly honest about their own character.

Many will argue a good story must have a great plot.  Another will say the same thing about character.

The point is, a great story has both of these elements, and they are well crafted like a beautiful work of architecture.

But, for me the most important thing that drives a story idea and gets me to the other end of the beginning are the characters.  No matter how great an idea or situation, it must have really kick ass characters.

Who are your favorite characters?
Remember the bad guy from Warriors; what about ‘inconceivable’ from the Princess Bride; Montag from Fahrenheit 451.

We need great characters.  We are inspired, embarrassed, delighted, engrossed, and sustained by great characters.

Does the story exist, and can the plot even begin to form without characters?

Have you ever written a plot line or formed a situation without any idea of the characters that will fill the spaces in between?

Here’s another question:  can the character exist without a story?  This is the fun question, and probably the one that most authors are plagued with the most.  What is the backstory?

So many story ideas are killed – condemned to a long dusty journey on the shelf, all because the main character doesn’t have a back story - hasn’t been invented yet.  A great situation, a great story idea – the characters get names, they have a general outline, they have a job, a girlfriend, a son, a daughter, and then the story begins to take space on the page.  But more importantly, how long will they continue to work in their job? Is their girlfriend cheating on them? Is their son their own?  Daughter is gay?

What are their desires???

But what really happens.  A decision must be made.  Conflict and tension have to have sides drawn, and someone has to be right and someone has to be wrong; or at least they have to think they do.  The author has to know! 

If they aren’t willing to decide, the story doesn’t get written.

“There is no such thing as writer’s block, there is only the unwillingness of an author to make decisions, take risks, and see what happens next.”